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Archive for October, 2008


(1) S.O.B.’s (Sounds of Brazil)
(212) 243-4940
204 Varick Street (Corner of West Houston St.)
This long standing dance hall claims Brazil in its name, but its music policy opens the stage to bands from any country that can fill the place with a groove and a butt shaking beat that keeps you sweating all night long. A tropical party ensues most nights of the week, but check their website for schedule. You can always count on La Tropica Mondays, with 6:30 salsa lessons followed by a live Latin Band. And of course, Samba Saturdays, when the real sounds of Brasil start spilling out onto Varick Street starting at 8:00 PM with rotating groups followed by the 2:00 AM Manhattan Samba weekly gig. Prices are from $10 to $20, with an incentive to buy tickets in advance.

(2) Sweet Rhythm
Sweet Basil RIP — closed April 30, 2001
(212) 255-3626
88 7th Ave. South (Bleecker/Grove Sts.)
Sweet Rhythm is now open for business 7 days a week. Taking up where Sweet Basil left off, the club is again up and running after a year and a half restructuring. Their sound leans more on world rhythms but straight ahead fans will be satisfied with their bookings as well. Housed in the heart of Greenwich Village, Sweet Rhythm features both live and recorded, traditional, contemporary and hybrid music from all over the planet including jazz, blues, salsa, rai, reggae, merengue, samba, high life, flamenco and many other styles. Sweet Rhythm has been outfitted with a state of the art sound system. The sounds and the environment are complimented by a menu featuring meat, fish, and fowl dishes, as well as vegetarian items. The club also features a modern yet comfortable decor and an emphasis on a friendly relaxed ambience. Sweet Rhythm has featured several jazz greats such as Kenny Barron, Steve Lacy, Jon Lucien, Victor Lewis, Rasheid Ali, Sonny Fortune, John Hicks, Kenny Garrett and many others including: Los Hobres Calientes, salsa from Manny Oquendo y Libre, the Senegalese drum choir known as Sing Sing Rhythms; the funk of Craig Harris and the Nation of Imagination, the Brazilian samba and bossa nova of Vinicius Cantuaria and Soli, the blues of Chicago-born guitarist Marvin Sewell and the soulful folk music of the multi-linguistic Marta Topferova. Musicians, poets, djs and other artists take the stage at 8pm and 10pm with midnight shows on Friday and Saturday. Cover charges range from $10 to $25, dress is your option.

(3) K’av’eh’az 123 Mercer St. (btwn. Prince & Spring Sts.) 212-343-0612
A Euro-styled coffee house and art gallery in SoHo that has jazz nightly and starting in the afternoon on weekends. They feature straight ahead artistes as well as Latin jazz and flamenco guitar (Sundays from 4-7). Ray Vega performs weekly on Wednesdays with his Boperation. An open blues jam takes place Mondays 9-12. $8 minimum on food or drink.

(4) Zinc Bar
(212) 477-8337
90 W. Houston St. (Thompson St. / LaGuardia Pl.)
Open 7 days 6 P.M. – 3:30 A.M. on weeknights, and till 4 A.M. on weekends. Weekly theme nights dominate the schedule. Monday showcases the guitar trio of Ron Affif with featured vocalist at 9:00 and 11:00, 12:30. Featured bands play 3 sets Tues. – Thurs. at 9:00, 11, and 12:30. Tuesdays and Wednesdays are jazz nights, while Thursdays are Latin, Fridays are African and Saturdays are Brazilian Bossa Nova. Fri. and Sat. the first set starts at 11. Sundays starting at 9:30 welcomes Cidinho Tiexeira and Brazilian samba into the night. A lounge exists in back for your smoky comfort. There’s a $5 cover and a one drink minimum, and the service charge for drinks is included on the check to safeguard the wait staff.

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Salsa Club Dancing

Author: admin
10 26th, 2008

Me dancing salsa with Catheline Gaudin in a salsa night club (Raven Café Strasbourg)

Duration : 0:3:50

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10 26th, 2008

a salsa lesson by Peruvian friends

Duration : 6 min 55 sec

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This footage was shot at the European Parkinson's Disease Association annual meeting in Zagreb, October 2008.

Duration : 2 hrs 24 min

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Various Artists - Calypsoul 70 - Caribbean Soul & Calypso Crossover 1969-1979

Strut turns its magnifying glass onto the Carribean for , a celebration of the magnificent array of crossover calypso, reggae, Latin, Afro, and soul styles that emerged, often from small studio and label stables, during the 70s. Taking the listener on a nonstop islandhop, the albums digs deep into Trinidads steel pan and marching band archives with a terrific pan cover of Gwen McCraes 90 Of Me Is You, alongside tough social commentary by rapso pioneer, Lancelot Layne. It features a sprinkling of Latin dynamite from Martinique legend Marius Cultier and Cuban salsa heroes Los Van Van and touches on island links with Africa courtesy of Eze Rockcliffes Yoruba Singers Guyana and an Afrobeatinspired plea for freedom from legendary calypsonian, Duke. To finish, it adds in a strong helping of fascinating soul and disco fusions from shortlived island bands like Magic Circle Express St. Lucia, The Vibrations Virgin Gorda and Ophelia Dominica. As well as a valuable selection for diggers, the album is designed as an ultrahandy package for DJs with a host of playable tracks and rare cover versions. All in all, the perfect funky tropical summer soundtrack for the beach, club or BBQ.

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10 25th, 2008

Duration : 1 min 27 sec

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10 25th, 2008

Duration : 45 sec

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10 25th, 2008

Jlo let’s loose here with acting student that asks her to dance with him…

Duration : 0:1:18

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la puerta team performance @ joenju latin dance club

Duration : 0:3:0

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Various Artists - Colombia! The Golden Age of Discos Fuentes

VINYL FORMAT. Soundway Records presents the tropical sound of Colombia. From the salsas and descargas of Cali, Medellin and Bogota to the Afro sounds and raw cumbias of Cartagena and Barranquilla, this is the sound of Colombian dancehalls and clubs in the 60s and 70s, when the legendary Discos Fuentes record label led the way. The sounds emanating from the barrios and beaches of Colombia are a unique mixture of Latin sounds and Afro rhythms, drawing influences from the New York and Puerto Rican Latin scenes, the highlife and rumba of West Africa and the calypso of the Caribbean, as well as the tropical rhythms of the Colombian cumbia, gaita, fandango and porro. Driving percussion, swinging horns, hot pianos and jumping bass lines this music was made for dancing.

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